نوع مقاله : پژوهشی -نظری اصیل
کلیدواژهها
عنوان مقاله English
نویسندگان English
Khayyamiyat as a discourse was gradually formed in the course of three decades (from the seventh to the ninth centuries) and was signified through local and historical landmarks. This discourse has been formed through a dialogical and dialectic construct. the Shariah- holders’ harsh reaction against the argument, inquiry, and metaphors of the famous quatrain “Tarkibe Tabaye” indicates that Khayyamiyat began with philosophical inquiries in the rising hegemony of theological discourse. The formation of the quatrain “Tarkib-e Pialeh” followed by “Tarkib-e Tabaye” (replacing Koozeh / Pialeh with Tabaye / Badan and Charkhe Koozehgari with Charkhe Falak) indicate a metaphorical movement that struggles to change philosophical-theological inquiries into aesthetic issues. With the inauguration of this groundbreaking metaphor, many quatrains were produced throughout centuries. With this perspective, it is also possible to differently analyze the issue of “wandering quatrains” and the search for “original quatrains” that are emerging discussions and the outcome of contemporary ideologies as well as modern man’s mind. In fact, the displaced quatrains as defense mechanism turn to discursive author by ignoring the work’s author, and they foretell the workings of signifiers in the two contending discourses. The present research tries to discuss the three centuries of discontinuities and evolutions in Khayyamiyat through tracing the course of the two quatrains “Tarkibe Tabaye and Tarkibe Pialeh” as a metaphorical movement and through a report of the encounter of the four groups of the Shariah- holders and theologians, historians, poets and editors, and anthologists of the quatrains with the two quatrains.
کلیدواژهها English
نقد ادبی