tehran kuy daneshgahe tehran
Abstract: (7196 Views)
The novelty in typography coupled with narrative techniques has turned Bivatan (Tehran, 2008) into a quasi-metafiction, i.e. a story which explores the process of its own construction. While in Bivatan the author is supposedly trying to produce a metafictional effect, a closer investigation into the novel will prove this claim void. In fact, Amirkhani’s novel fails to step into the realm of postmodernism.
Received: 2010/11/15 | Accepted: 2010/11/16 | Published: 2010/11/20