Volume 12, Issue 47 (2019)
LCQ 2019, 12(47): 9-33 |
Back to browse issues page
Download citation:
BibTeX | RIS | EndNote | Medlars | ProCite | Reference Manager | RefWorks
Send citation to:
BibTeX | RIS | EndNote | Medlars | ProCite | Reference Manager | RefWorks
Send citation to:
Ahmadian N. A Study of "One-Thousand-and-One-Night" Plays of Rezā Kamāl Based on Linda Hutcheon’s Adaptation Theory. LCQ 2019; 12 (47) :9-33
URL: http://lcq.modares.ac.ir/article-29-28796-en.html
URL: http://lcq.modares.ac.ir/article-29-28796-en.html
University of Maryland, College Park , nahidian@umd.edu
Abstract: (7235 Views)
Among the plays of Rezā Kamāl, three works, Shab-e Hezār-o Yekom, Abāseh Khāhar-e Amir and Aziz-o Azizeh, are known as his adaptations of One Thousand and One Nights stories. These works aim to introduce a new appraoch to thetrical expression by utilizing the potentialities of the orginal texts. The present study reads Kamāl’s adaptations of One Thousand and One Nights stories in the light of Linda Hutcheon’s adaptation theory in order to show the extend to which his plays provide theatrical affordances in the dramatic texts. As a result, the study shows how far these adaptations have succeeded in articulating the requirements of the stage while being in conversation with the original text.
Keywords: Rezā Kamāl, Adaptation, One Thousand and One Night, Shab-e Hezār-o Yekom, Abāseh Khāhar-e Amir, Aziz-o Azizeh
Article Type: Analytic Review |
Subject:
Play reviews
Received: 2018/12/30 | Accepted: 2024/02/3 | Published: 2019/11/1
Received: 2018/12/30 | Accepted: 2024/02/3 | Published: 2019/11/1
Send email to the article author
| Rights and permissions | |
 |
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License. |