---

In many of the Iranian and the world stories, both force and guile are operating events comprise the story. Investigate and psychological and symbolic compare of those popular legends which good and evil forces in their beloved reaching over, shows that in these works, however, appear to benefit the beloved hero acts in subtle and cagey narrative infrastructure And before taking functions based on deception, this battle will be in Median dose and involvement of the opposing forces will conduct their own profit. In such stories, the central character is not the brave prince nor vicious Dave, but the beautiful girl that wishes marriage with the hero and have her own child. In this way, despite the apparent physical disability, using various scheming like secrecy, feminine and magical elements, and even sometimes to hire antiheroes, the real initiative and is available on the course of events towards their desired ending. The joint adventure stories generally setup for this peak point and the common ending: they are well and happy years together they live. " This paper uses views of Northrop Frye, Joseph Campbell, and Bruno Bettelheim. regarding the fundamental structure, number forty Farsi folk tales and that compared with a drop of evidence shows that such a common infrastructure indicative of mental concerns of women in patriarchal times and the women place the narrator or audience of this tales, dreams sweet Dream that are impossible in real life were often deprived of it, the story of a woman in the story of the hero in imaginary world have stories appear. Considering the existence of this feature in ancient stories and romances, these tales may have roots in old narrative structures that can lead them to myths about Matriarchy period.

---

Story is one of the ancient forms of literature which has an old history among the nations. India among the eastern nations is also a mystical land whose numerous narrative masterpieces such as Mehabeharata and Ramayana are of importance. Nal and Daman is an episode of this narrative work which was translated from Sanskrit to Persian by Feizi Dakani, Malek-Al- Shoara of the court of the king Akbar in tenth century and then it was rendered in verse by him! Translation of various Indian stories to Persian in king Akbar period until the extinction of the rule of Teimourian predominantly influenced the Persian story-telling in the interim between the tenth to twelfth century. The present study represents an attempt to structurally analyze the Nal and Daman story based on the constituents of a story such as plot, character, point of view and so on. The achieved result is that the mentioned story simply has all the constituent elements of the modern story but it lacks the complexity of these kinds of stories.

---

 

 
 Haadi Yavari, Ph.D.
 
Abstract
The transition eras are quite significant in the precise depiction of the process of literature history and defining causes and reasons for change in literary genres and also the literary taste. In the Iranian history of literary fiction, transition from the long traditional story (romance) to novel is among the most prominent transitional periods. This paper reviews the early works similar to novel created in the Persian literature, then surveys reasons leading to the creation of the works written during the transition era, showing how the series of factors related to the court of Naser-edin Shah Qajar, although made this change slow, was ultimately influential in forming the direction of this change in the path of literary fiction towards the novel era. As a matter of fact it can be said that the Naseri court was the transitional path from the traditional story towards the novel era.