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The experience of time, like anything else in the world, can manifest itself in the text. Time is regarded as a structural element of the text. One characteristic of narrative is that time is considered as the main element of representation tool and the represented object. Therefore, time is described in the light of the chronological relationship between story and the representing text. By analyzing the time of the story and the time of the representing text, it can be concluded that in all the four plays of Naghmeh Samininarrative has two kinds of temporalities: the cyclic and the linear. The linear temporality gives a dramatic characteristic to the text, while the cyclic temporality gives an epic characteristic to the text. The cyclic temporality is always connected to a particular place and somehow reveals the feminine subjectivity governing the text. This study aims to show that when the linear temporality is dominant, the text is dramatic, and when the cyclic temporality is dominant, the text becomes narrative, while both temporalities exist in these four plays simultaneously.

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The present paper is considered with the issue of verbal violence in the language of drama. In evaluation of verbal violence, Jeanette Malkin (2004) proposes six maxims, through which language is known as an arrogant element. The characters in dramatic texts (as in other literary texts) are created, developed, evolved and in some cases destroyed by language. In considerable number of modern plays, language acts as an antagonist who is to destruct and demolish the personality of the other(s) in the play with violence and aggression; so, the theoretical study of dramatic verbal violence as a component of dramatic discourse is considered indispensable to critical discourse analysis of dramatic texts and the study of power relations as reflected in the dialogues.; Focusing on the patterns of dramatic verbal violence introduced by Malkin, this study aims to discuss the dominant patterns of verbal violence in Hamlet With Season Salad, a play by Akbar Radi, and investigates the role of language in shaping, and destroying of human identities