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Showing 2 results for Classicism

Mojahed Gholami,
Volume 13, Issue 50 (5-2020)
Abstract

From the early twentieth century in Europe and America and then with a few decades’ delay in Iran, a new understanding of literary criticism was formed on the basis of interdisciplinary theories. Though such a theory was absent in the history of literary criticism in Islam and Iran, it does not imply that there were no literary criticism at that time. Such criticism was traceable in historical and rhetorical accounts. It should be mentioned that this kind of criticism was built on theorization as well, since no literary criticism could be formed without conceptualization. The present paper has explored the book “Naghd Al-Sher” [Poetic Criticism] by Qudama ibn Jafar (260- 337 AH.), to analyze the literary criticism, as a historical account on criticism in Islam and Iran. Upon analysis, the researcher came to conclusion that Qudama’s theory is better be called as a rhetorical literary theory, rather than a theory on the basis of classicism and formalism. His theory was observed to be text-based, and provides the reader with a basis to evaluate poemst to say”.


Volume 19, Issue 77 (12-2022)
Abstract

One of the stylistic features of the elegies of the first period of the Holy Defense (1980-1984) is the imagination of nature, which goes beyond traditional rhetoric due to the subject of mourning of the martyr, and is connected with the literary schools of the world. By collecting all the elegies of the first years of the war that have been published in the collection of poets’ poems and studying the function of nature in images, a combined nature was revealed that can be called a romantic-classical duality. Among the romantic functions of nature in elegies are “nature as a mourner”, “nature as a creditor to the martyr”, “nature as a credited by the martyr” and “nature as a part of setting”. Among the classicism components, “imitation of nature”, “imitation of the ancients”, “instructiveness and pleasantness”, “clarity”, and “decorum” are noteworthy. This duality is the result of linking the traditionalist and truth-seeking approach with the emotional approach that the poets of the Holy Defense have faced in mourning the martyrs of the war, and have chosen it to express and effectively convey their mourning states to the reader.

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