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The Persian works of Abdalrauf Fitrat-e Bukharaie (1886-1938) in Transoxania (mā wara` an-nahr) are of the first new prose and poetry instances of Tajiki Farsi in this region. The Monäzere (Debate) of Modarres-e Bukharaie with a European in India on the new schools, known as Monäzere (Istanbul, 1910), in addition to be the first prose and narrative work of this writer and poet of Transoxania, is the first independent Tajiki Farsi work in new Tajiki Farsi literature in this region, that describes the conflict between modernity and tradition in the form of short novel/long short story. This book is classified under thesis novels, i.e. problem novels so far as content is concerned. The present article tries to criticize and analyze the Monäzere from the view point of structure and story elements and further explore its outstanding role in founding dramatic literature and forming or establishing the new Tajiki Farsi literature in the Bukhara in the early twentieth century.

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Alireza Nabiloo , PH.D.
 
Abstract
In this article, four anecdotes i.e. Siyavush and Sodabeh from Persian literature, Konaleh and Tishirak Tshita from Scythian literature, Yousef and Zulekha from Semitic literature and Phedre and Hippolyte from western literature selected and have been studied based on the content analysis of Todorov. In all these four anecdotes, actual and incidental circumstances and proposition can be reached in the similar fashion. In other words, all peripheral incidents show three personalities and in each of these anecdotes, queen falls in love with a boy but the boy remains faithful to the king, uncovers woman’s love and charged with and at last, the fact is revealed. The propositions of these stories emerge identical with the situation, traction and adjective. With reference to the viewpoints of Todorov, existence of five-dimensional aspects i.e. predictive, prerequisite, supplicating, conditional and foresighted have been studied in these four stories and these matters emphasize more on the similarity of permissible structure of the stories.