Theatrics has long been widespread in Iran Those who, either by speaking, have drawn attention to the audience or have had an arm wrestling, and they have been wrestling in the public passage. Also, there were those who make money by  their art and crafts and enjoy their livelihood in any way. In the present article, we review theatrics in the poetry of Sayyeda Nasafi, a poet of the Persian Gulf of Transoxania in the 17th century. The result of studying poetry and the life of this poet and the hard times of his controversy is that his view of the public and occupations, such as the protagonist, is not a narrator's look, but also a social critic, and he is in fact, highlight the oppressed and oppressed classes in his poet and the occupation, which did not require much tools and a special place, and at that time only entertaining people was their hope. Therefore, his urban poetry was a prototype. It is very good for the transfer and introduction of folk culture in the old days.