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Showing 4 results for Sadeq Hedayat

Elham Dehghan, Mohammad Taghavi,
Volume 2, Issue 8 (12-2009)
Abstract

English

Volume 6, Issue 2 (9-2018)
Abstract

Sadeq Hedayat is a deconstructionist artist-thinker who had created his own style in his writing. One can venture to say that his The Blind Owl has been criticized more than any other Iranian literary work in more than half a century ago and still critics reveal some fresh aspects of this masterpiece. Critics have analyzed surrealistic, symbolic, existentialist, nationalistic, expressionistic and metaphysical dimensions of this work. From the lens of comparative literature, a lot has been written on the influences of Schopenhauer, Sartre, Maupassant, Nerval and Kafka among others on Hedayat both structurally and thematically. In this research, the undeniable influences of Virginia Woolf’s The Waves on The Blind Owl and their undiscovered similarities are scrutinized. Furthermore, inter-textual aspects of the two mentioned masterpieces are analyzed thematically and in this respect one of the major themes of The Waves, that is, narrative exhaustion, is analyzed and its resonance in The Blind Owl is traced. Through textual comparison, it is shown that how some of The Blind Owl’s sentences have dazzling similarities with some key phrases and sentences of The Waves.
Kavoos Hassanli, Siamak Naderi,
Volume 10, Issue 37 (5-2017)
Abstract

The place is one of the story’s important elements. Point to some times of places in the parts of Hedayats “Boof-e- Koor”, but it appears that be able to paraphrase this effect, act secret that’s locality. And to cause some times to imagine mistaking that without time and place, whereas you may to see in this effect Ray and Tehran’s historical geography. This is including ancient period, Middle Ages and safavi as qagar. In this article to recover this places with help primitive map so we can to show the places in three details: origin, destination and cemetery route and out of city castle. This article is continuation to article: “Rereading Hedayats Boof – e Koor based on the socio – cultural and historical geography of Ray” for to open this cryptic effect. Rereading Hedayats Boof – e Koor based on the socio – cultural and historical geography of Ray” for to open this cryptic effect.

Volume 10, Issue 42 (3-2014)
Abstract

Study of the role and presence of women in the stories and poems penned by male authors and poets; and the status of men in the works of female authors and poets is a topic of importance which can be carried out.
This research studies the outlook toward women in the works of a male author, and the outlook of a female poet toward men in her verse, while also investigating the impact of their perspective toward the opposite sex in their real lives. The question is whether presence of women in the works of men and vice versa has been highlighted, influential and constructive, or has been marginalized and faded. To this end, two contemporary literary figures, Sadeq Hedayat and Forouq Farokhzaad have been chosen to study their viewpoint toward the opposite sex in their works. The outcome of survey shows both of these two literary figures didn’t maintain a positive outlook toward the opposite sex, which in turn led to their pessimism and solitude in real life.

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