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The historical novels The Golden Falcon  and The Flares of the City of Otrar  narrate the life of Jalal al-Din Khwarazmshah. Unlike ancient historical texts in which the simple and predictable process of action by the central actor of the hero takes place, in these works, by creating active and anti-active characters, the actions deviated from their main stream, leading to the actions of deviation, substitution, action error and ... have become. The purpose of this research is to investigate how actions deviate within the narrative and damage such as action error, action change or even action collapse. For this purpose, the theory of action-discourse system of Greimas has been used to examine the action narratives related to the character of Jalal al-Din in the two historical novels The Golden Falcon and The Flares of the City of Otrar. In The Golden Falcon's novel, the deviation of action is seen as the transformation of action and the destruction of action by actors; A place where efforts have been made to reach Jalal al-Din's valuable object and save his life. In this novel, according to the value object "Beloved" and "Homeland" Jalal al-Din is depicted as a "lover" and "patriot". In The Flares of the City of Otrar, deviation of action can be seen as transformation of action and replacement of action. Most of the characters in the story and Jalal al-Din himself play the role of antagonists and try to distance Jalal al-Din from his valuable object and destroy him.
 

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In this essay we will study the principal European literacy movement in the latter half of the 19^th century and the first decade of the 20^th century.
The term “Naturalism” describes a type of literature attempting to apply scientific principles of objectivity and detachment to its study on human beings. Unlike realism, which focuses on literary technique, Naturalism Implies a  philosophical position: for naturalism writers, since human being are in Zola’s phrase, “ human beats” Characters can be studied through their Relationships to their surroundings who said that novelist should be like the scientist, examining  dispassionately various phenomena in life and drawing in disputable conclusions.
The naturalists tended to concern themselves with the harsh, often sordid, aspects of life, Zola’s description of this method in the Experimental Novel, (1880).
Following Claude Bernard’s Medical and the historian Hippolyte Taine’s observe that     “Virtue and Vice are products like vitriol and sugar” That is, that human beings as          the “producers” should be studied impartially, without moralizing about their natures.                                                                                                                    
 

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The Persian works of Abdalrauf Fitrat-e Bukharaie (1886-1938) in Transoxania (mā wara` an-nahr) are of the first new prose and poetry instances of Tajiki Farsi in this region. The Monäzere (Debate) of Modarres-e Bukharaie with a European in India on the new schools, known as Monäzere (Istanbul, 1910), in addition to be the first prose and narrative work of this writer and poet of Transoxania, is the first independent Tajiki Farsi work in new Tajiki Farsi literature in this region, that describes the conflict between modernity and tradition in the form of short novel/long short story. This book is classified under thesis novels, i.e. problem novels so far as content is concerned. The present article tries to criticize and analyze the Monäzere from the view point of structure and story elements and further explore its outstanding role in founding dramatic literature and forming or establishing the new Tajiki Farsi literature in the Bukhara in the early twentieth century.

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Literary translations have developed in accordance with the essence of interactions in which the role of addressee has become much more important. Procedures such as clarification and adaptation have gained a particular place since they have included the importance of addressee and appropriateness of discourse in translation. However, the place of adaptation and its effect on literary translation have remained ambiguous. There may arise a question that whether local and global characteristics of adaptation can also be applied to a literary translation. If the answer is positive, which of the adaptation techniques enjoys a higher distribution? This article is an attempt to provide answers for these questions. It further tries to investigate the Persian translation of Pride and Prejudice novel based on Bastin (2009) taxonomy in order to find the ways adaptation has been used. The results showed that the translator has used local and global features of adaptation to better represent the writer’s message and, at the same time, to keep the beauty and effectiveness of the discourse in a way that global features outweigh local ones in their applicability. Likewise, although the translator has remained faithful to the main passages, situational equivalence and expansion are two adaptation techniques, which have been used mostly in the translation of paragraphs. In other words, for translating the text, the translator has kept the meaning but, for creating effectiveness and beauty of the discourse, adaptation proves essential.  

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Novels created by women in recent years are similar in many aspects like plot, point of view, character, etc. This paper tries to analyze and compare the theme of four novels written by female novelists. It seems that in these four novels, there are many proportion in themes and motifs. To achieve this aim, we first explain the theme and then analyze the theme of novels in the two aspects of theme and motif. The results showed that the theme and motif of the novels are too similar. The main reason behind such similarities is similar discourse of the creators of these novels.    

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Hosseini Beheshti.S.A. ,PH.D.
Abniki., H.
Abstract:
 
Paul Ricoeur, French thinker, gives priority to the text itself in his literary hermeneutics and is categorized in the text-centered group. He puts forward this key question in his theory if a literary text has semantic autonomy. He believes that the text has semantic autonomy based on three dimensions of  1) Author’s intention ,2) Primary reader and 3) Social-historical circumstances of the text production. According to this interpretation, the text is an array of words having meaning and the consciousness and intent of author and it’s social-historical conditions haven’t any role in formation of it’s meaning. It should be mentioned that there has been too controversies over this matter, that is, semantic autonomy of text, that each of controversies has noted to special dimension of it. One of these controversies is the subject of this essay, that is going to see to Paul Ricoeur’s literary and text-centered hermeneutics from the view of it’s function for interpretation of political novel. Therefore, in this essay, the existing political concepts in the political novel are important. The concepts like power, authority, and etc, that can make Ricoeur’s text model fragile, because Ricoeur’s work doesn’t provide a framework for interpretation of the political texts, in general, and political novel, in particular, by virtue of it’s focus over semantic conditions (Autonomy of the text from author and it’s social-historical circumstances).
 
 

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Mohammad Taghi Bahar is the initiator of historical stylistics in Iran by publishing “Tarikhe Tatavor e Nasre Farsi” (the Evolution of Farsi Pose) (1331/1952), and his manner has been followed so far. To exit the recession with which Farsi prose stylistics is afflicted, one of the solutions suggested in this article is applying the new branches of stylistics and retrieval of the suitable tools for analyzing Persian texts. To reach this goal, we will consider critical stylistics as one of the new branches, and specifically discuss the arguable stylistic layers in the critical stylistics of short story and novel. The basic question processed in this study is that what stylistic variables could be discussed in critical investigating of short story and novel styles, which leads to discovering the ideologies and power relations in the texts. To answer the question, we will consider studying story and novel in textual and narrative macro-layers by analyzing focalization; the level of persistence of focalization and the facets of focalization (perceptual facet: time, order, duration, frequency, and space; an overall and eye-bird’s view or a partial and close-up view, cognitive and ideological facets), and lexical, syntactic, pragmatic and rhetorical micro-layers in relation with its external layer (situational context). The aim will be applying the new branches of stylistics in studying Farsi literature texts; many of the stylistic criteria and features discussed in this article could be applied in studying the style of other branches of narrative literature, e. g. myth, fiction, allegory and romance.

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. Dream is one of the most important elements of modern novel. In Derakht-e anjir-e ma’ābed, the only modern novel by Ahmad Mahmoud, this element plays a key role. At the beginning of the novel, Alamdar-e Avval, mentions his dreams and the Alamdar of the next generation narrates those dreams and finally the Alamdar of the third generation writes down those narrations. Alamdar’s dreams are obscure and complicated and challenge the reader. Besides, later in the book two dreams by Mard-e Digar and Sarmast-e Bakhtiari are narrated. The major dreams form the first chapter of the novel have not been studied analytically yet. This research offers an analysis of these dreams by summarizing the dream in the author’s own language and with the help of Freud’s method in the Interpretation of Dreams based on genetic structuralism according to which different parts of the novel find their meaning only in a general structure.

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One of the most effective approaches for critical studies of literary works is Critical Discourse Analysis. This article studies Madār-e sefr darajehwithin this framework by analyzing some of the most important aspects of the novel such as semiology of its title, images, characters (actor, affected, and narrator), narratology, structure and the theme of the story. Furthermore, the status of this novel in the field of political fiction is studied. Based on Fairclough’s approach, the findings of the article suggest that Madār-e sefr darajeh,as a literary text, is in direct relation with the dominant social discursive practices and social hegemony.

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One of the significant elements in the formation of narrative structure is the sequence of its events which is explored under the umbrella term of temporal element. Abbas Maroufi’s novel Peykar-e farhadis a work in which real and imaginative times are what narrative is based upon. The novelist relates, in the novel’s surface structure, one single story in three different temporal frames, yet breaks the narrative linearity, so that for the most part the existing relations and temporal order of events remain obscure and, consequently, time, losing its quantitative value, fades away in the narrative. The current paper attempts to survey the order of events and narrative temporality in addition to studying how the author, by deploying some features of stream of consciousness, has narrated the mental structure as well as confusion of the novel’s female character. These features range from temporal and spatial turbulence, free association, author’s textual removal, and assigning a role to the reader in narration act due to direct displaying of disturbed subjectivities as well as uncensored stream-of-consciousness memories—being the same as pre-lingual mental layers—to utilizing internal monologue and soliloquy in some parts of the story, poeticness, mental obscurity and difficulty of finding the decisively right meaning for the novel with the purpose of developing a particular narrative technique.

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Based on Mikhail Bakhtin’s point of view, the Dialogism, novel, more than anything else, is a linguistic phenomenon, which has a fair correlation between its genuine and its feature of heteroglossia. Language expresses the different social and ideological approaches of the utterances within a translinguistics framework. So the novel compiles all of these diverse social and ideological discourses and utterances. Different Character zones and discourses of the narrator, and embedded genres create a world of different voices and ideologies. From a feminist critique perspective (Gyno criticism), the novel Cheraghha ra Man Khamush Mikonam (I turn off the lights), applies social and cultural differences in different discourses to indicate the writer’s womanly standpoint through various social languages and utterences, and therefore, makes grounds for the promotion of the womanly voice in a multi-linguistic system. Here, through a descriptive-analytical method, we are going to study the “Heteroglossia” feature in the novel Cheraghha ra Man Khamush Mikonam written by Zoya Pirzad in the light of Bakhtin’s dialogism, and also from the Gyno criticism point of view, to analyze the diversity of discourses in this womanly novel. In this novel, the womanly awareness is indicated by the writer, the double-voiced discourse consists of the writer’s double-voice discourse and that of the narrator, embedded genres and the Character’s zones display the different social and cultural levels available, which also result in the appearance of a womanly world in the novel.

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Literature has a special position in representing society. The novel is a special literary genre and a perfect mirror which reflects and reveals the events, progress, growth and change of the society. Most especially in both countries of Iran and Senegal, this style of writing has been accompanied by the social and cultural changes. Family is the most important and fundamental element of the community. The main role of the story is been played by the family in most contemporary novels. The concept of family plays a key role in most contemporary novels, and the main role of the story is always introduced in the family. On the other hand, the roles that humans take in their families often expresses the realities of the community. Regarding the political and social conditions governing each period, the way writers pay attention to family issues. In this article, we have studied the comparison and analysis of family in Iranian and Senegalese contemporary novels (showhare Aho khanom and so long a letter), in response to these questions, which are these similarities as well as the structural differences of the family in the contemporary novels of these two nations and how they emerged narratively. In addition of studing family in novels, this research is also a kind of comparison between Iranian and Senegalese cultures, and the important works of contemporary writers in these two nations are compared, which can help the develop of comparative literature in both countries.

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Background: In Iran, the first cases of SARS-CoV-2 disease were detected with the death of 2 people in Qom city. Then other cases were reported in Markazi, Tehran, and Gilan provinces, and after that the disease spread to all 31 provinces of the country.
Materials and Methods: All data used in this study were collected from the reports of the National Committee on COVID-19 Epidemiology in the Ministry of Health and Medical Education in Iran. To investigate the effect of traveling between neighboring provinces, a spatial rate smoothing method was used, showing the impact of neighborhood on the disease prevalence. Also, to investigate the relationship between population density and disease prevalence, spatial regression was used at a significance level of 5%.
Findings: Based on the estimated spatial rates, the disease prevalence rates changed in many provinces compared to the raw prevalence rates. Population density was also found to be directly related to the disease prevalence, so that with increasing population density, the disease prevalence rate increased (p <.001).
Conclusion: It seems that case finding process should be done actively in all provinces of Iran regardless of administrative borders. Provinces should also be classified in terms of the disease transmission risk according to population density of patients, which may indicate the probability of contact between individuals.

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 Importing the pragmatic theories of ‘politeness’ (Brown and Levinson, 1987) and ‘impoliteness’ (Culpeper, 1996) into the domain of literary studies, this article intends to investigate politeness and impoliteness strategies used  in ten highly acknowledged Persian youngsters’ novels published from 2002 to 2012. For a novel to be included in the samples it should not be translation; most of its events should be narrated through dialogues; and that it should have won the majority of prizes for youngsters’ literature. This article addresses two central research questions: (1) How is the characters’ uses of politeness and impoliteness strategies in peer-group and non-peer-group vary? (2) In general, which strategies (politeness strategies or impoliteness strategies) are more frequently used by characters in Persian-speaking Youngsters’ Novels? The results, came by Chi-Square test, demonstrate that the characters in Persian youngsters’ novels are more inclined to using impolite strategies in peer-group interactions compared to non-peer-group interactions and that characters, in general, make more use of politeness strategies than impoliteness strategies.  

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Most Iran-Iraq War novels are considered to be an ideological device for the “Holy-Defense” genre; however, in the recent years,a number of distinct polyphonic novelshave emerged, one of the most important of which is Ahmedzadeh’s Chess with the Doomsday Machine. Bakhtin’s distinction distinguishes between monologue and carnivalesque novels. Polyphonic novels, like carnivals, act as a centrifugal force supporting nonofficial dimensions of the society. Images of food and carnal elements, cursing, reciprocal relation between characters and settings according to the double aspects of carnival, and rebellion against a victorious closure by postponing the narrator’sactions distorts the linearity of narration common in in the Holy-Defense novels. 

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One of the procedures of criticism is the combination approach of sociology-psychology in analyzing the literal texts, especially a drama and mental situation of a traumatized and terrified person in an autocratic society that is realized from storied writings, particularly novels. Tanab Keshi, written by Majid Gheisari, is a realistic novel about the holy defense. This novel depicts the living conditions of a traumatized Persian origin family, away from the imposed war between Iran and Iraq. This study has clarified the intertexual relation by Rolan Barests` theory—intertexuality reading—; then, base on Ervin Gaffman`s theory – stigma—and the theoretical approach of Adler—inferiority complex—has tried to find a remedy to retrieve the blemished identity of a traumatized character. This study indicates that the novel`s text has a hidden intertexual connection with the three of the previous texts: Quran, stigma, and Masnavi Molana.Ethnic-religious stigma that involves other family members is a sign of mental-cultural problems of an autocratic society. One of the consequences of this kind of stigma for family members is having disappointment about being accepted by the society; moreover, the feeling of having an ominous destiny, unsafety, and also being stranded in perilous mental obsessions such as, inferiority complex which has affected Fares (the narrator) and made him to have a defensive and forcible reaction, so that it has brought malice and vengeance.

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 Haadi Yavari, Ph.D.
 
Abstract
The transition eras are quite significant in the precise depiction of the process of literature history and defining causes and reasons for change in literary genres and also the literary taste. In the Iranian history of literary fiction, transition from the long traditional story (romance) to novel is among the most prominent transitional periods. This paper reviews the early works similar to novel created in the Persian literature, then surveys reasons leading to the creation of the works written during the transition era, showing how the series of factors related to the court of Naser-edin Shah Qajar, although made this change slow, was ultimately influential in forming the direction of this change in the path of literary fiction towards the novel era. As a matter of fact it can be said that the Naseri court was the transitional path from the traditional story towards the novel era.
 

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The Realistic and Historical Approach in the novel of (alzalzal) for Tahir Wattar Abstract Algerian society throughout long history has experienced different revolutions, for example Revolution in 1962 against the French colonial history, the agricultural revolution and the process of land reform in 1971. Obviously, committed scholars try to write the events of Algeria in his view. Tahir wattar (1936-2010),one of the largest Algerian novelist, attended to some of the most important historical society in the novel "Alzlzal" a with realistic look. Socialist ideas in novel social issues such as discrimination, lack of peace and security, and oppression and to find a way to solve these problems and historical events the socialist revolution. This research try to explore the approach in the novel. Due to the adaptation of the novel "Alzlzal" with a lot of features of historical-realistic novel, it looks, we can assign it, a historical - realistic novel.

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Critical realism,as a branch of the literary school of realism,seeks to convey objective and accurate experiences of reality to the reader by looking at the social problems of man in the new age,and to criticize the prevailing situation in society with a reformist attitude. Samuel Shimon In his first novel,“An Iraqi in Paris”,was able to gain a special place in the field of fiction in Arabic literature;Reza Ghasemi is one of the most prominent novelists of Persian literature that wrote the novel“Nocturnal Harmony”.Both novels reflect the realities of their society and the phenomenon of migration.The purpose of this study is investigate the harmful challenges of the migration phenomenon.In this research,by examining the components of immigration literature from the perspective of critical realism based on description and analysis in the context of the American comparative school, two novels are examined.The results of the research show:Doubt in the basis of insider culture and cultural contradiction in the novel"Nocturnal Harmony"is more prominent than the novel"An Iraqi in Paris" but this is manifested in both novels in the form of alienation.In both novels, critically reviewing the past,while criticizing the political and social conditions prevailing in their society,the way of teaching some religious and cultural teachings has also been criticized.The challenges of immigration are manifested in both novels in the form of disappearance,identity crisis, homelessness and insecurity,but the author has a positive view of the future in the novel"An Iraqi in Paris",but in the novel" Nocturnal Harmony"the authorchr('39')s view is hopeless.