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This paper tends to investigate discourse, power, and language in Behrangi’s “Olduz va kalagh-ha”[1] and “Olduz va aroosak-e sokhangoo”[2] under the light of Foucauldian new historicism to demonstrate that multiple discourses of the selected texts are inseparable from the political, social, literary, and cultural discourses of Behrangi’s era. The study also illustrates how Behrangi has portrayed the mutual relations between language and power by the use of objects and animal characters in his stories. As soon as language threatens power (stepmother), it is doomed to silence.
[1] “Olduz and Crows” [2] “Olduz and the Talking Doll”

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New historicism refers to an approach that does not accept history as the historians convey. This approach mostly is based on the ideas of the American professor, Stephen Greenblatt, in the eighties of the twentieth century. According to Greenblatt, new historicism presents a new reading of the text, not a school of criticism. New historicism investigates the multilateral relations of the literary works with other texts including the historical ones to clarify their inter-textual and extra-textual aspects. New historicism inspects the relations of power and cultural, social, and ideological constructs. From the new historicist point of view, there is no difference between literary and non-literary texts. The present paper attempts to examine The Silence of the Sea to reveal the author’s and the history’s influence in creating the literary work. With the help of Greenblatt and Foucault views, inter-textual factors such as power relations as the main context are studied in the paper as well.
 
 

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Foucault believes that power is a set of network of relationships through which it is implemented on people and the power relationship is necessary for life so that it does not fall apart. The power of the entire society has expanded due to the necessity of its presence in social relations. Power is not always negative, and has positive aspects for the growth and prosperity of society.
The novel "Shifa; "The Small Century Manuscript" is science fiction novel that presents the novel, media, modern inventions and power tools in distorting the truth to control humanity. This article, novel "Shifa; "The Manuscript of Little Century" with the analytical descriptive method and Foucault's theory, together with the fictional elements and linguistic styles according to the belief of postmodernists in the multiplicity of meanings, related to power, to point out that the politicians in this novel through technology And the media falsifies the truth to create a hyper-reality that is more real than the original reality to deceive the people by playing with their minds in order to create viruses, diseases and wars on people through it, after taking their critical thinking and all their assets as a means of generating people's power and positioning them as passive and pure consumers, to rule, and also sell their manufactured drugs and weapons to gain capital as a means of power. Knowledge, technology, language, discourse, medicine, prison, espionage, sex, capitalism, currency, government, religion and university are the tools of power in the hands of politicians.