---

Antoin Sevruguin is an artist and photographer of the Qajar periodical that, despite having the king's attention and interest, could demonstrate a critical perspective, appeal and protest of the conscious and protesting class of the society, by displaying a subject in different strata of society through the camera. Lucien Goldmann, a structuralist sociologist and theorist, used this method in his innovative approach called "genetic structuralism". Therefore, finding the worldview of its work and its relation to a social class is the basis of the genetic structuralism. The library and documentary data collection method is used in this study. In this discourse, the researcher has attempted to find the hidden worldview of the works by using the genetic structuralism and link it to the influential social group and examine the relationship between them. In the following, using the components within the works and the meaningful structure of society, he answers the following question: What is the role of different classes in shaping the forms and themes of Qajar period photography? The results indicate that there is a dialectical relationship between the artwork and the class. Antoin Sevruguin in all his works used themes and concepts such as class differences, presentation of Shah's power and superiority, considering people inferior, misogyny in society, Western influence, ignorance and negligence, humor and disorder in the community, along with the role of the protest class in informing the people.

---

In this paper, the novel "Paeiz Fasle Akhare Sal Ast" by Nasim Marashi is analyzed by using Lucien Goldmann's developmental structuralist approach. One of the approaches of criticizing the literary works is the developmental structuralist approach in which the dialectical relations of the literary work's structure and the social structure that the work has been developed within it are analyzed; Therefore, the approach, structure and content of the literary work, writer's mentality and the worldview of a class that the writer represents and its relation to the structure of the society in which the work has been developed are analyzed. The main question of this study is whether there is a structural equivalence and dialectical relationship between the structure of the Marashi's novel and the objective structure of society during its development? This article has been based on the explanation of these mutual relations and the findings of the study have shown that according to the theory of Goldmann, Marashi has succeeded in creating a work in which there is a stability equivalence, and this structural equivalence along with the dialectical relations of the related discursive components have turned his novel into an original work .