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Drawing on modernist techniques, the play Az poshte shisheha by Akbar Radi expresses an unrelenting challenge of the intellectual with the new-fangled, vulgar modern trends. In order to express his view, Radiemploys doubles in his characterization. He creates two female characters that stand in opposition to each other; one represents modernity without originality while the other is an ordinary woman with the same intellectual and psychological concerns. In a way, almost all characters of this play, especially the women, symbolically represent different social strata and ideologies. Considering the central role of women in this play, theanalysis of their characterscan reveal the author’s outlook towards the major conflict of the play.

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This article is a comparative sociological study and it shows some effects of changes in social relations which is the result of modernity in iranian and arabic communities.
This study inspects the Iranian and Arabic community and its deals with the female symbols as the one of social development indicators. Based on this, the use of female symbols and myths was assessed and compared in Abdol Vahab Albayati & Ahmad Shamlu’s poems.
This study ultimately concludes that female symbol’s log in to poetry, not as a beginning of a course but it’s the result of a circulation which tries to change social relations and create a new balance between two powers in society. Addressing female symbols, in addition to give poet the possibility of addressing the mythical topics; is an attempt to empower the hidden half of the population that was held back for years. And this is not a feminist effort, but it’s blowing lyrics the spirit of gentleness and describes the hidden part of the community that would appear in the light of modernity and this effort has many examples in both Persian and Arabic literature.

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Sadegh Hedayat is one of the most famous Iranian author's. Novel, "Boof –e- Koor" is the most important posts. His historical geography and climate in various areas of studies has various Iranian cities. These studies can be clear in some of his works, including "Boof –e- Koor". The "Boof –e- Koor" Much has been written about yet. But this focus has been Descriptions similar to situations where old stories in "Boof –e- Koor" Rey, three to seven centuries AH. Applicable Ray Old Town Historical Geography descriptions "Boof –e- Koor" as documented for the first time this has been done A sign of the attention is directed at the payment and confirming the words of his novel "Boof –e- Koor", is full of techniques, and the book is accurate." Despite the complexity of the story of The "Boof –e- Koor" and innovative elements of the real world that is reflected back to the severance of the third and seventh centuries AH Ray has... In this paper descriptions of the same place, "Boof –e- Koor" with historical geography Rey, based on five main elements: the structure of the city, and Cultural characteristics of the city, City Brand Positioning, topographic features of civic, social and cultural elements that have been reviewed and adaptive recognition.

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The focalizations with their validity facilities and limitations are considered as the most significant elements in creating suspense and surprise. In this article, with an approach based on the face and content traditions in the analysis of validity discourse, we seek to examine and find the validity facilities and limitations of types of focalization in creating suspense and surprise and stating the aesthetical reason of using one dominant focalization in the novel Bamdad-e Khomar.