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Abstract
Turkish writer Orhan Pamuk in his novel "My Name Is Red" by presenting a historical fiction story of a moment in the history of their country's artistic and cultural developments The contrast between traditional art and Western art in the form of a long narrative in the face of the Ottoman court painters Venetian painters (West) has written to the Heand fabls by referring to the distant past and telling stories that are rooted in history and dream and myiths, wider problems of modern society in a way one of the complexities of the world today is rebuilt, This open confrontation with the audience intelligently processing, This raises the question; indeed the author of the text intended to articulate what it is and what it is, how does Reproducing? Part of that comes from this study that The story ultimately is the paradox interpretation unwanted desires historical and cultural tradition and modernism. In a society where at least five centuries ago is still involved in this story. In this paper, we investigate and analyze the aspects of the interpretation of its dimensions. This paper includes descriptive analytical process would have benefited from the resource documentation library.

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• Abstract
  The formation of Khayr al-Nisa’s narrative language is based on a unique feature of Persian language called narrative essence. It creates the logic of events in this linguistic context through its combinational property and combinability as well as the interactions of components. Therefore, based on the aforementioned information and concerning the question of how the language of Khayr al-Nisa is formed regarding its narrative logic, this study seeks not only to realize the interactions of the components forming the narrative language, but also its importance and position in the contemporary literature and culture. In this journey, with respect to the heuristic essence of the story, the components constituting its language have been considered as the theoretical framework and then their mechanism in the formation of narrative language has been studied. This research which is qualitative and is conducted through a descriptive-analytical method addresses the fourfold aspects of combinational property, temporality, locality and character in the story’s language and examines some parts of each. The result suggests that paying attention to the principle of combinability in Persian language and its power to materializing and making the story tangible are the main reasons for the existence of a narrative language in Khayr al-Nisa, which made the narration believable and facilitated the process of logical reasoning. In addition, the realization of the story in this context requires establishing logical relations between successive events through the components of time, place and the character of Khayr al-Nisa in a harmonious and coherent way, which has been done in the story of Khayr al-Nisa with regard to the nature of heuristics and the tradition of Iranian fiction. Besides, the language of the narrative reveals the Iranian culture and shows the written contemporary narrative being rooted in its tradition and therefore causes an intuitive unity among its inhabitants.
  
  Extended Abstract
  Introduction
  Ghasem Hasheminezhad is a well-known writer, critic and translator who has a record of research in mystical texts. Khayr al-Nisa is a long documented mystical story which was published in 1993 for the first time and is rooted in its long-time literary context. The language of narration in Khayr al-Nisa is based on the combinational property of Persian language and the logic of mystical texts in Persian literature which constitute the theoretical framework of this study. Therefore, this research is written based on the question that how the language of Khayr al-Nisa is formed regarding its narrative logic to not only realize the interactions of the components forming the narrative language, but also its importance and position in the contemporary literature and culture.
  Theoretical Framework
  The narrative logic in Khayr al-Nisa is rooted in a unique feature of Persian language called narrative essence. In this context, the components of time, place and character through their harmonic function and based on the history of fiction writing in Iran, create the narrative language through defining a cause and effect relationship. The time of current life and the spoken language of the period are the primary bases of the creation of narrative language. Furthermore, time should be studied chronologically with regard to the rule of presentiment in the tradition of fiction writing in Iran. Moreover, duration and frequency in Genette’s theory about the narrative time are other important components in creating language which are studied in this research by considering the mystical essence of Khayr al-Nisa. In addition to temporality, locality can also disclose the importance of creating situations which can visualize the space of story and make the relation in it more logical and believable. Finally, it is the character of Khayr al-Nisa, which is the basic aspect of forming a narrative language based on the role of famous characters in Persian literature.
   Conclusion
  1. Applying the combinational property and combinability of Persian language in Khayr al-Nisa leads to a believable story which has a heuristic essence because of objectifying and materializing the mystical events through the combinational verbs and words of the spoken language. Therefore this is the basic context which facilitate the interrelations of the components in narrative logic of Khayr al-Nisa.
  2. The component of temporality consistently coordinates with the combinational property in the narrative language. The language reveals a period of time in the past and not only tells the individual story of Khayr al-Nisa as well as the ineffable events in her life that constitutes the basis of the narration, it has also addressed its socio-cultural and historical context. Accordingly, the narration has a kind of certainty for the readers that they can follow the logic of events without hesitation which improves the acceptance of the cause and effect of each event. Furthermore, the order of events based on the principle of presentiment and not creating a sense of ignorance and surprise in the readers in the tradition of fiction writing in Iran, is conducted in such a way that each of them is the effect of the initial event and at the same time has a causal relationship with the other on the basis of an invisible affair. On the other hand, because of heuristic essence of the story, duration and frequency are considered in a way that the mysterious and sacred aspects of the story are not reduced through the expression.
  3. Locality in narration is a part of the logical structure because it objectifies the situations in such a way that can complete the causes and effects. In Khayr al-Nisa, from the beginning, through language embodiment which shows accessibility and entrance, the variety of spaces, the quality of boundaries and openings and the symbolic things, Khayr al-Nisa’s identity and situation are explained. By elucidating more details such as measure of space, materials and the form of plan, Khayr al-Nisa’s financial ability, mood and desires, aesthetic emotion and worldview alongside cultural issues like limits and territories in her dwelling place are shown.
  4. Khayr al-Nisa is not just a character in a plot; rather, she is a real person who is the grandmother of the narrator/writer, well-known, respected and dear in her life. In the first aspect, the narrative language has such an intimate and honest quality that facilitates the making cause-effect relationship of events logical and more believable. In the second aspect, characterizing famous personalities in narration increases validity and acceptance of the story which is a common basis in Persian literature. Therefore, with regard to this component, the character of Khayr al-Nisa is the primary aspect of forming its narrative language.
  5. All the components have harmoniously created a narration with concrete language that represents some aspects of the Iranian’s life and culture during a period of time. Therefore, Khayr al-Nisa has a significant role in contemporary literature as it causes an intuitive unity among Persian speakers.

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For years, sun and hot air drying have been considered as traditional drying methods. Today, using microwave is one the newest methods of drying. Iran is one of the main producers of pomegranate fruit in the world. To manufacture better product, drying needs to be handled in controlled and optimized process, therefore investigation of process condition kinetic is an obligation. In this study, thin layer drying behavior of pomegranate arils using microwave drier at 4 power levels (180, 360, 540 and 720W), oven drier at 4 temperature levels (45, 55, 65 and 75°C) and sun drying was studied. Page, Henderson and Pabis, Midilli et al., Newton, Logarithmic and Two-Term models were compared according to their Root Mean Square error (RMSE), Chi-square (χ²), Mean Bias Error (MBE) and correlation coefficient (R²). The results of the studied models indicated that Midilli et al., model exhibited the best fit to the data obtained for oven, microwave and sun drying. Increasing the oven drier temperature and the microwave drier power lead to an increase in the drying rate. Dried samples at 75˚C exhibited the highest R²= 0.9998, and the least RMSE and χ², 0.2059 and 0.5576 respectively in comparison with other samples. While dried samples by microwave, 720W, showed the highest R²= 0.9998 and the least RMSE and χ² were 0.1894 and 0.4203, respectively in comparison with other samples. Sun dried samples had the highest R² in Midilli Model, the least RMSE and X² were 0.0338 and 0.7059 respectively.