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One of the areas of research in comparative literature is the study of the relationship between literature and arts. Hezaro Zek Shab is one of the works that have had a dramatic effect on various arts, including performing arts, and perhaps less literary work can be similar in this regard. Dudley Andrew believes that there are three basic relationships between the adaptive cinematic effect and the literary text: borrowing, convergence and conversion and loyalty. This research, in a comparative approach based on Andrew's theory of adaptation, seeks to prove the hypothesis that Shahrzad's film has been influenced and adapted from the space of one thousand one nights. The research concludes by proving this hypothesis that Shahrzad's film is more adapted to the type of "borrowing" because the filmmaker has taken the ideas and thematic or textual contributions to the text of the Hezaro Zek Shab. This book is exactly the same as those literary texts in this type of adaptation; in "borrowing," the filmmaker is looking for a text that has a reputation as a myth and an ancient role of the pattern in the mind of the audience.
 

Keywords: ـ آفرین, فریده (1391). «پژوهشی تطبیقی درباره ویژگی‌های هزارویک‌شب صنیع‌الملک و وجوه خاص سینمایی». نشریه هنرهای زیبا. ش50. صص33ـ42. ـ افضلی, علی (13

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