1 2008-0360 Tarbiat Modares University 9811 the common function of metaphor and plot construction based on a combination of incongruous constituents in POLE RICOEUR thought es 1 12 2012 5 20 7 26 11 03 2012 28 11 2012
4398 A Critique of the Colonial Discourse in Western Women’s Travelogues atashi laleh c anoushirvani alireza d c shiraz university d shiraz university 1 12 2012 5 20 27 48 30 07 2012 01 11 2012 This research is the analysis of the contact zone and the tensions in western women’s travelogues. Travel writing as a genre has always been marginalized within the domain of literary researches, but travelogues by women have been doubly marginalized due to gender. In patriarchal societies, the literature produced by women has never been received as seriously as that by men. Western women, who were colonizers by race and colonized by gender, cannot use the omniscient point of view revealed in men’s travelogues, nor can they assume the objective pose that man travel writers usually boast of. Women, who had an unsure position between the discourses of colonialism and that of femininity, reveal such tensions in their writing that are mostly absent from men’s travelogues. These tensions and the role they play in the self-fashioning of British women can be traced in the images that they offer of the orient in the 19th century. 1644 Transition from “Nature” to “Human” in the Persian poetry 1 12 2012 5 20 49 72 20 06 2012 10 12 2012 In the second half of the 5th century A.H. ,in a region named Arran, being influenced by the Iranian politics, culture and literature, some great poets, such as Nizami Gandjavi and Khagani Shervani emerged, claiming to devise a new style in farsi poetry. These innovative poets made drastic changes to the former style and determined the route of literary developments for some centuries. The greatest changes made were poetical vocabulary increased by introducing words and terms related to the different domains of thought, science and culture and the life of ordinary people; poetry liberated from the dominance of eulogy and enriched by the thoughts related to the various aspects of science and practice; poems more humanized and individualized and imagery more extensive and diverse than those of former poetry styles This article compares the Azarbaigani School of Persian poetry whit the Khorasani and Iraqi Schools known as the first and second ages of the Persian poetry. The article introduces the Azarbaijani School as a transitional period between the former mainly specified by naturalistic views and the latter mostly differentiated by mystic aspects. The author believes that the transitional school takes “human” into consideration to perform its role as a bridge between the aforementioned attitudes. This article investigates the situation of “human” in the Azarbaijani School and compares the interaction between “poet” and “human” in the considered school with the others. 2259 Backgrounds of accepting despotism in Persian proverbs porazimi saeid f ghahremani mostafa f - 1 12 2012 5 20 73 98 18 12 2011 10 12 2012 Abstract Since proverbs are based on the life experiences of ethnics, by studying them the social, cultural and political structure of each ethnic can be reintroduced. The political structure of Iran until constitutionalism is known by despotism, in which the king was on top of the power and people were his slaves. Despotic power, popularity of deterministic ideas lack of intellectuality and philosophy in society, allegiance, and lack of individualism are examples that during the history have formed proverbs and words that has fainted the base of any kind of intellectuality, social movement, and progress. proverbs as a representative of human thought and the most important role model for common people’s life has formed a considerable portion of Iranian’s language and culture. Then it will be very helpful in studying and analyzing Iranian’s culture. The purpose of this article is to analyze several important backgrounds that have made people accept and grow despotism, and have been manifested in proverbs .It is concluded that despotism has cultural backgrounds rather than being the result of authority exercise and during the history has formed people’s language and thought. 4355 hypertexts and paratexts in Iran’s cinema h Mokhtabad Amrayi S. Mostafa i Shairih Hamid Reza j h Phd student in theatre / University of Tehran director/Academy of Art i Associate Professor / Tarbiat Modares University, Faculty of Art & Architecture. j Associate Professor / Tarbiat Modares University, Faculty of Humanity 1 12 2012 5 20 99 120 13 06 2012 23 11 2012 As intertextual studies penetrated in art, the intertextual scholars attention was drawn to various mechanism of text in intertextual analysises of Gérard Genette studies. Genette presented 5 types of these relations by proposing transtextuality. These studies gradually found their way to cinema. This article aims to survey hypertextual and paratextual relations-two component of transtextuality- in Iran’s cinema.Through facing cinematic adaptation, we will realize that how a movie text excerpts from other texts in different ways, whether they are literary texts or not! One of the basic issues of this research is to recognize all kinds of cinematic adaptations and their characteristics. In paratextual relations the text is placed on the threshold of the other text and it seems that its ratio to the release time is the most important issue in this regard. The objective pursued here is to introduce a model of intertextual relations which specifies types of these adaptations and paratextual time relations in iran’s cinma. For this purpose, after rereading review of literature of intertextuality, hypertextuality and paratextuality, we will distinguish intertext from intertextuality. Finally some of the movies of Iran’s cinema in 1370s and 1380s will be observed in order to achieve hypertextual and paratextual relations. 3516 The Study of the Evolution of Persian Poet Streams in 20s to 50s with the Emphasis on Nader Naderpoor's Poems Irani Mohammad k k Razi University 1 12 2012 5 20 121 142 17 07 2012 10 12 2012 1578 Analysis of abstracts concepts of Blind Owl Based on Conceptual Metaphor Theory Hashemi Zohreh l Ghavam Abol-ghasem l Azadi Sq.Ferdowsi Univ. Faculty of Letters , Department of Persian literature 1 12 2012 5 20 143 170 09 06 2012 10 12 2012 Blind Owl is one of the most famous stories of contemporary Persian literature and criticism so far as it has many potential meanings .Despite various disagreements and numerous commentators and critics of The Blind Owl, it can say that all of them agree with this belive that two part of Blind Owl are repeated each other. Moreover, it is said about the vast majority of these explanations with use of psychological critics paid to analysis of this text. While the authors have tried with regard to the above two point whit analysis of conceptual metaphors that used in two parts Through "conceptual metaphor theory" beyond of psychological reasoning of that critics this text have had To discover similarities and differences between the two parts, finally to achive a newer and different view from those mentioned so far and Prove that despite the many similarities in the two-part application, Hedayat has been followed different insights in each part. 8997 A comparative study of poetical theory of Mohammad Taqi Bahar and Ebrahim Abdolqader Almazani 1 12 2012 5 20 171 194 24 05 2012 23 11 2012 Abstract: Poetical theory is a methodical discussion about works the nature and instrument of which are language. Mohammad Taqi Bahar (Malekoshoara) and Ebrahim Abdolqader Mazani explained their poetical theory in a period when there was an intensive struggle between tradition and modernity in all sections and fields. Both of them, as the effective members of an outstanding literary movement (Daneshkade association in Iran and Jama'ate Divan in Egypt), played a role in explaining their poetical theory and the movement they belonged to. The present study can pave the way for literary analysts to compare the conditions of literary movement in different lands. It also provides an exact and scientific analysis of the philosophy of their success in one land and their failure in another land (or at least ups an downs of their movement in literary limits of different nations). So it compares poetical theory of Mohammad Taqi Bahar (Malekoshoara) and Ebrahim Abdolqader Mazani. After extracting and classifying the ideas of Bahar and Mazani about definition of poetry methodically, and about the position and function of poet and address in creating a poem and its content, poetical theory of these two are compared and explained. It is clarified that both of them have paid attention to poetry function rather than to its structural aspects. From the intellectual aspect, Bahar is more introvert but Mazani is extrovert. It should be mentioned that the function of European literary works and also taking effect from European literary schools is evident in Mazani poetic theory. In general, it can be said that Bahar is more traditionalist and Mazani more modernist. 4271 a comparative study of the literary narrative of Rowzat-al-Mojahedin and the dramatic plot of Mokhtarnameh Fayyazikia Muhammad 1 12 2012 5 20 195 218 16 07 2012 30 09 2012 The present article studies the reality-based adaptation of a religious event in the Islamic history through comparison between literary and daramtic narrativs in Rowzat-al-Mojahedin (by Waez Heravi) and the TV-series of Mokhtarnameh (by Mirbagheri) and its aesthetic limitations for the mass media. the popular literature in the Persian language sometimes have retold and described the religious history which has led to an imaginary fictionalized narrative to be spread among the public. The important point about this genre of the Persian Literature is the incorporation of the author's imagination with the historical narrative for the particular effect onhe audience to be reached; this is the very method today - with emersion of TV - being used by dramatisrs to dramatize the historical texts of Islam. The TV-series Mokhtarnameh is one of the latest attempts made to blend the historical text narrative with imagination; an attempt that resembles that of Heravi's during Safavid era which led to Rowzat-al-Mojahedin to be created. The comparative study between the two explains the imaginary functions in both and the different attitudes towards fictionalizing in the process of literary and dramatic narrative based upon historical text. The contemprary case of Mokhtarnameh uses the imagination to reach a political historical analysis while on the other hand Heravi's narrative portrays an ideal world rooted in a different view on the universe. 9477 A New Historical Study of Gender, Power, and Language in Mamet's Glengarry Glen Ross 1 12 2012 5 20 219 226 30 10 2012 11 11 2012 نوشتار پیش¬رو به معرفی و نقد مقالۀ «جنسیت، قدرت و کاربرد زبان از دیدگاه تاریخگرایی نوین در گلنگری گلن راس اثر دیوید مَمِت» نوشتۀ فاضل اسدی امجد و یاسر ذوالفقاری (فصلنامۀ نقد ادبی، سال دوم، شمارۀ هفتم، پاییز 1388) می پردازد و تلاش می کند از این طریق به برخی از چالش های پژوهش های نقد ادبی به طور کلی و رویکرد تاریخ¬گرایی نو به طور خاص اشاره کند. گرچه این رویکرد چندان نو نیست و زمان قابل توجهی از پیدایش آن می¬گذرد اما در ایران رویکرد تازه-ای به شمار می¬رود و برای بسیاری از پژوهشگران پدیده ناآشنایی است. یکی از دلایل این ناآشنایی عدم وجود منابع فارسی –اعم از تالیف و ترجمه- در این حوزه است که همت اساتید و خبرگان فن را می¬طلبد. این ناآشنایی به همراه برخی پژوهش¬های غیراصولی به برخی کج¬فهمی¬ها در مورد این رویکرد دامن می¬زند. در این نوشتار، مقالۀ مذکور از چهار دیدگاه نقد شده است: نظری، کاربردی، ارتباط عنوان مقاله با موضوع مورد پژوهش و معادل¬گزینی واژگان.