1 2008-0360 Tarbiat Modares University 2888 attitude toward reading non-popular novels among students Javadi Yeganeh Mohammad Reza Kazemi Maryam 1 12 2011 4 13 0 0 25 12 2010 15 09 2011
4279 Mystical narratology: Reviewing the book of the story structure of mystical anecdotes Horri Abolfazl d d Shahid Beheshti St., English Department,Arak University 1 12 2011 4 13 0 0 23 07 2011 15 10 2011 334 Motif and its types and functions in Sadegh Hedayat's stories TAGHAVI MOHAMMAD e Dehghan Elaham e FERDOWSI UNIVERSITY OF MASHAD 1 12 2011 4 13 0 0 28 12 2010 15 10 2011 830 The artistic origin of ambiguity and its types 1 12 2011 4 13 8 22 27 10 2010 30 01 2011 1540 A Semiotic Study of Amphiboly and its Probable Formation on Theater Scene hosein niya kolur mojtaba sojoodi farzan 1 12 2011 4 13 49 67 10 02 2011 03 10 2011 According to the usual definitions of ambiguity and amphiboly in rhetorics, the origin of amphiboly and ambiguity lies in polysemic words and position and intention of the speaker are the distinctive factors in the respect. Questioning this distinction, co-text is introduced as the criterion of differentiating amphiboly from ambiguity and as a result of such discussion a definition is formed which is the base of the arguments of this paper. The concept of multiple signification is considered equal to the application of polysemic words and the stability of semantic ambiguity resulting from multiple signification, is considered as the required condition of considering a case as amphiboly. In search of the possibility of amphiboly in theater de-contextualization of situational contexts, possibility of negation of various signifieds in any of semiotic systems in theater and impossibility of formation of various signifieds in the mind are considered to be the limiting factors. 5439 Analyzing the character of the maidservant in Molavi's Masnavi khademi narges 1 12 2011 4 13 91 115 09 06 2010 15 09 2010 1013 Poetry, Aesthetics, and Economics in Ezra Pound Jafari Alireza j j Assistant professor of English 1 12 2011 4 13 117 142 31 01 2011 07 07 2011 Poetry, Aesthetics, and Economics In Ezra Pound Alireza Jafari Shahid Beheshti University Abstract The two apparently separate spheres of aesthetics and economics have usually been treated as phenomena completely alien to one another. This is not the truth, however. For thousands of years, poets and artists have been intensely aware of the indissoluble tie and relationship between the two, and have directly and indirectly indicated this relationship in their works. Ezra Pound (1885-1972), the arguably greatest western poet of the twentieth century, spent almost all his poetic life trying to draw attention to this deep relationship between poetry and economics as both content and form or metaphor. By attending to Pound explaining the relationship, at least two aims can be achieved: firstly, getting to know the nature of this relationship and how it influences our reading of literary texts; secondly, acquiring a better appreciation of an important aspect of modernism in general, and of modern poetry in particular. Keywords: Ezra Pound, poetry, aesthetics, economics, sanity 11555 Dark nature and Contemporary Persian Poetry esmaili mohsen k kupa fateme l k student l payamenoor University 1 12 2011 4 13 143 170 14 01 2011 15 09 2011 Dark nature and Contemporary Persian Poetry Dr. Fateme Kupa(Associated Professor in Payam’e Noor University-center of Tehran) Mohsen Esmaeili Abstract: One of the nature-oriented characteristics of contemporary Persian poetry is paying attention to nature aspects and the objective world, that is because of application of darkness, twilight spaces obscure, mysterious and frightening atmospheres which are associated with boredom, outrage, ruin, downfall and naught for readers . These kinds of images in this research are called “Dark nature”. To bring in “Dark nature” is the cause of philosophic, socio-political changes and designing new ideas in aesthetic and anthropology topics in two last centuries of Europe. In this article, first of all, the effects of all factors are examined, then how they emerged in persian poetry will be discussed . Keywords: Naturalism, Dynamic Organism, Beauty and Sublimity, Reification.