Tarbiat Modares University
Literary Criticism
2008-0360
2538-2179
4
13
2011
12
1
attitude toward reading non-popular novels among students
0
0
FA
Mohammad Reza
Javadi Yeganeh
Y
Maryam
Kazemi
N
http://lcq.modares.ac.ir/article-29-2888-en.html
http://lcq.modares.ac.ir/article-29-2888-en.pdf
Tarbiat Modares University
Literary Criticism
2008-0360
2538-2179
4
13
2011
12
1
Mystical narratology: Reviewing the book of the story structure of mystical anecdotes
0
0
FA
Abolfazl
Horri
Shahid Beheshti St., English Department,Arak University
Y
xx
http://lcq.modares.ac.ir/article-29-4279-en.html
http://lcq.modares.ac.ir/article-29-4279-en.pdf
Tarbiat Modares University
Literary Criticism
2008-0360
2538-2179
4
13
2011
12
1
Motif and its types and functions in Sadegh Hedayat\'s stories
0
0
FA
MOHAMMAD
TAGHAVI
FERDOWSI UNIVERSITY OF MASHAD
Y
Elaham
Dehghan
N
xx
http://lcq.modares.ac.ir/article-29-334-en.html
http://lcq.modares.ac.ir/article-29-334-en.pdf
Tarbiat Modares University
Literary Criticism
2008-0360
2538-2179
4
13
2011
12
1
The artistic origin of ambiguity and its types
8
22
FA
http://lcq.modares.ac.ir/article-29-830-en.html
http://lcq.modares.ac.ir/article-29-830-en.pdf
Tarbiat Modares University
Literary Criticism
2008-0360
2538-2179
4
13
2011
12
1
A Semiotic Study of Amphiboly and its Probable Formation on Theater Scene
49
67
FA
mojtaba
hosein niya kolur
Y
farzan
sojoodi
N
According to the usual definitions of ambiguity and amphiboly in rhetorics, the origin of amphiboly and ambiguity lies in polysemic words and position and intention of the speaker are the distinctive factors in the respect. Questioning this distinction, co-text is introduced as the criterion of differentiating amphiboly from ambiguity and as a result of such discussion a definition is formed which is the base of the arguments of this paper. The concept of multiple signification is considered equal to the application of polysemic words and the stability of semantic ambiguity resulting from multiple signification, is considered as the required condition of considering a case as amphiboly. In search of the possibility of amphiboly in theater de-contextualization of situational contexts, possibility of negation of various signifieds in any of semiotic systems in theater and impossibility of formation of various signifieds in the mind are considered to be the limiting factors.
Ambiguity,Amphiboly,Multiple Signification,Sign System,Code
http://lcq.modares.ac.ir/article-29-1540-en.html
http://lcq.modares.ac.ir/article-29-1540-en.pdf
Tarbiat Modares University
Literary Criticism
2008-0360
2538-2179
4
13
2011
12
1
Analyzing the character of the maidservant in Molavi\'s Masnavi
91
115
FA
narges
khademi
Y
xx
http://lcq.modares.ac.ir/article-29-5439-en.html
http://lcq.modares.ac.ir/article-29-5439-en.pdf
Tarbiat Modares University
Literary Criticism
2008-0360
2538-2179
4
13
2011
12
1
Poetry, Aesthetics, and Economics in Ezra Pound
117
142
FA
Alireza
Jafari
Assistant professor of English
Y
Poetry, Aesthetics, and Economics
In
Ezra Pound
Alireza Jafari
Shahid Beheshti University
Abstract
The two apparently separate spheres of aesthetics and economics have usually been treated as phenomena completely alien to one another. This is not the truth, however. For thousands of years, poets and artists have been intensely aware of the indissoluble tie and relationship between the two, and have directly and indirectly indicated this relationship in their works. Ezra Pound (1885-1972), the arguably greatest western poet of the twentieth century, spent almost all his poetic life trying to draw attention to this deep relationship between poetry and economics as both content and form or metaphor. By attending to Pound explaining the relationship, at least two aims can be achieved: firstly, getting to know the nature of this relationship and how it influences our reading of literary texts; secondly, acquiring a better appreciation of an important aspect of modernism in general, and of modern poetry in particular.
Keywords: Ezra Pound, poetry, aesthetics, economics, sanity
Ezra Pound,Poetry,Aesthetics,economics,sanity
http://lcq.modares.ac.ir/article-29-1013-en.html
http://lcq.modares.ac.ir/article-29-1013-en.pdf
Tarbiat Modares University
Literary Criticism
2008-0360
2538-2179
4
13
2011
12
1
Dark nature and Contemporary Persian Poetry
143
170
FA
mohsen
esmaili
student
Y
fateme
kupa
payamenoor University
N
Dark nature and Contemporary Persian Poetry
Dr. Fateme Kupa(Associated Professor in Payam’e Noor University-center of Tehran)
Mohsen Esmaeili
Abstract:
One of the nature-oriented characteristics of contemporary Persian poetry is paying attention to nature aspects and the objective world, that is because of application of darkness, twilight spaces obscure, mysterious and frightening atmospheres which are associated with boredom, outrage, ruin, downfall and naught for readers . These kinds of images in this research are called “Dark nature”. To bring in “Dark nature” is the cause of philosophic, socio-political changes and designing new ideas in aesthetic and anthropology topics in two last centuries of Europe. In this article, first of all, the effects of all factors are examined, then how they emerged in persian poetry will be discussed .
Keywords: Naturalism, Dynamic Organism, Beauty and Sublimity, Reification.
Naturalism,Dynamic Organism,Beauty and Sublimity,Reification
http://lcq.modares.ac.ir/article-29-11555-en.html
http://lcq.modares.ac.ir/article-29-11555-en.pdf